? 欧美色色

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  • tem he made by his pa▓inting and to engage in t
  • he decor▓ative court art.His so-called n●ihilist pictures, reproduction of which h
  • ●as been prohibited by the pol▓ice, are fo

ing of theory but of nature r▓epresented as the individual ▓sees it, the masterly impressio●n of an artist, the most concentrated▓ effect of landscape, light, and action.The▓ purely technical problem is subord▓inated to the whole, to the unity of actio▓n and mood, solved naturally and easily.Th▓e problem of the artist to te▓ll us what we cannot forget, to give us▓ something of[Pg 48] his soul●, his sentiments, his thoughts, is ▓of first importance, just as geniuses of all a●ges cared less to be thought masters of ▓technique than to win friends, fellow-thinkers●, and comrades, to

One More Beer

  • Pg 47] and, notwithstanding hi●s undisguised op
  • inions, he was i●ntrusted with the painting of the imperial cou●ncil representing
  • the Czar in the mids●t of his councillors.T

share their ▓joys and feelings.From the purely tech▓nical stand-point, where is ther▓e a painting that presents in a● more masterly manner the gli●mmer of sunlight on the surfac▓e of a broad stream—as in this case—an▓d where, nevertheless, the landsca▓pe is treated merely as the background▓ And again, where is the action of ▓twelve men wearily plodding onward, ▓drawing with rhythmic step the boat against t▓he stream, seized more forci▓bly, more suggestively than in this pla▓intive song of the Russian people'▓s soul The youth of barely twenty-four ye▓ars had at one leap pl

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  • ministrator▓s.Nicholas I.prized Gogol's R●eviz
  • or above all else, and Nicholas II.i●s the greatest admirer of Tolsto.And● so Ryep
  • in may paint whatever and howev▓er he will.

aced himse▓lf at the head of all contempora●ry artists.Analogies between ▓him and the artistic career and met▓hod of Leo Tolsto force themselves ▓on us again and again.Tolst●o's Sketches from the Caucasus, Sevasto▓pol, Cossacks, are his early works, yet they a▓re the most wonderful that the entire prose of ●all literature can show.And so it● is in this lifelike picture of a twenty-fou▓r-year-old youth.Had we no other work of ▓his than the Barge-towers, we sh▓ould yet see in him a great master.It is b●ut necessary to look at the feet of these t▓welve wretched toilers to reali●ze

  • portunity.▓ H
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